Introduction. About this book -- What is linocut? The history of linocutting ; How it is used today -- Tools and materials. Linocut tools ; Lino ; Ink ; Ink rollers ; Paper ; Hand printing tools ; Small presses ; Inking slab ; Sketchbooks ; Other bits and bobs -- Preparing your workspace. Drawing and cutting area ; Printing area ; Drying area ; Storage area for materials and prints -- From image to block. Drawing directly onto the block ; Tracing your drawing the traditional way ; Tracing directly from the drawing ; Using carbon paper to transfer your drawing -- An interview with Cally Conway -- Mark making. Holding your tools ; Using your tools safely ; Mark-making warm-up -- Cleaning Up. Cleaning Up oil-based water-soluble inks -- Carving lino. One image four ways -- An interview with Harriet Popham -- Registration. Super-simple registration ; Paper template registration ; Registration board -- Ternes Burton clips -- Simple linocuts. Black-and-white print ; Adding colour to your simple linocut -- Noise. Red kites -- Out in the garden. A nature study ; Tips on drawing outside or in public -- Editioning prints. Edition size ; Pricing ; How to edition ; Numbering and signing limited-edition prints -- A weekend away. Holiday memory print -- An interview with Izzy Williamson -- Reduction linocut. A practical object -- Multi-block prints. Key block method ; Four-block print -- An interview with Meg Justice -- Displaying multiple prints. Concertina book -- Experimental printmaking. Combining monoprint and linocut ; Repurposing old blocks ; Linocut and chine collé ; Jigsaw linocut ; Rainbow roll -- Making linocut cards. Single-block card ; Two-block card -- An interview with Tristan Sherwood -- Bringing it all together. A large linocut -- Next steps in printmaking. Relief techniques ; Intaglio printmaking ; Other printing techniques -- Conclusion. Practical tips when things aren't going 'right' ; Setting up a regular practice ; Advice for when you are lacking in motivation ; Call yourself an artist ; Suppliers